Crack Open the Story: A 13-Week Mythopoetic Storytelling & (W)rites of Passage in StoryBody®

I would love to write with you.

For thirteen weeks, we will gather with a small circle of women around old stories, writing, body, imagination, and the living world.

You may be in transition. You may be longing to invigorate your writing practice, write with Eros or greater depth, retrieve stories or discover your voice. You may sense there is something in you demanding to be written. You may love fairy tales and myths but have never known quite what to do with them. Or how or why you need them.

Or perhaps you are looking for a creative practice that feels wildly alive. Maybe your want your words to grow fur and growl. You don't need to know exactly where it will lead.

You just need to say YES.

Yes to writing. Yes to curiosity. Yes to your stories. Yes to what you do not yet know.

Yes to mystery.

Yes takes you across the first threshold.

Story

Story is alive.
Story dreams.
Story remembers.
Story has seasons.
Story has appetite.
Story calls.
Story blooms.
Story initiates.

Fall 2026

13 Sundays • September 20 – December 20, 2026
11:30 am – 1:30 pm Mountain Time • Live on Zoom
6:30 – 8:30 pm UK/Ireland • 7:30 – 9:30 pm Central Europe*
An intimate circle of up to 13 women

Beginning at Autumn Equinox and traveling together through the darkening season, we close on the eve of the Winter Solstice.

Gathering Dates

September: 20, 27
October: 4, 18, 25
November: 1, 8, 15, 22, 29
December: 6, 13, 20

October 11 • Integration Week

There will be no live gathering this week. I will be away at Connla’s Well immersing myself in Story with Dr. Martin Shaw. A little spaciousness in the thirteen-week journey for writing, wandering, rest, and allowing the stories to steep.

The immersion includes thirteen live two-hour gatherings, two individual sessions with me, an online portal of resources and writing and creative practice between gatherings.

European participants: because Europe and North America change their clocks on different dates, our October 25 gathering will be one hour earlier in Europe: 5:30 pm UK/Ireland and 6:30 pm Central Europe.

Why Story?

Human beings have always turned to story in times of change.

Long before stories were written in books, they were carried in memory, spoken around fires, sung, embodied, woven into landscape, and passed from one generation to the next. Stories accompanied birth and death, exile and return, grief, belonging, uncertainty, and renewal.

Story is an ecosystem and Story is a path.

Stories give meaning to our lives. They carry initiatory blueprints and thresholds, old maps for territories human beings have crossed again and again.

A myth or fairy tale heard at twenty-five is not the same story heard at fifty-five. We change, and the story changes with us. Something we barely noticed years ago suddenly flashes. A character we dismissed begins knocking. An image weaves with us differently.

Story is a living field. Story needs us as much as we need Story.

And Story needs reciprocity. It is important to feed a story so that the story can feed us. We give it our attention. We tell it. Wonder about it. Question it. Write with it. Carry it for a while.

Old stories are not museum pieces, relics, or simple entertainment. Many old, old stories and myths carry wisdom we have forgotten. Some need to be slept with for days, weeks, months, even years before we begin to uncover their deeper significance in our lives.

Some carry assumptions that need questioning. Some have been distorted. Some try to distort us. Some want another voice, another vantage point, another telling.

Some stories are hungry to be rewilded.

I am interested in guiding women into deeper relationship with mythos —to uncover meaning, make new connections, and explore greater freedom in their own lives. I am also interested in staying with the tensions and uncertainties within a story rather than rushing to resolve them.

We need to go further than asking: What does this story mean?

We enter the living ecology of Story.

Over thirteen weeks, you will hear several fairy tales and myths told aloud. We enter them together. Write into them. Move with them. Allow them to enter us and season us with their strange mysteries.

We follow what stirs in imagination and body. We write as trackers on a path through an unknown forest. We shapeshift into words and archetypes, symbols and landscapes. We become verbs.

We write from the old pathways of Story and allow them to lead us toward deeper threads of memory, imagination, and our own becoming.

We write our stories and ourselves into new forms.

We reclaim. We return.

Story is not a code to crack once and be done with. Story is a creature and can be a prison. A web and a thread. A path and a forest. An ecology and a sanctuary. A hearth and a wheel.

Story gives us permission to stop trying to fix, fix, fix —and instead to see, to stay with, to imagine, and to change our relationship with the stories we inherit, inhabit, and dream.

Stories tell us as much as we tell them.

As we become more conscious of the stories we live inside, we also become more creative with how we inhabit and tell them.

Story rarely hands us a platter of answers.

It gives us questions worth curling up inside of and living more fully.

Why Writing

Why Writing?

We live in a culture saturated with words. Words that persuade. Distract. Divide. Sell. Fill the silence.

Words carry power. They bless. Consecrate. Witness. Name. Remember. Mourn. Celebrate. They can heal. They can harm. They can make something sacred.

Writing asks something different of us.

It asks us to slow down enough to listen. To hear ourselves and the world in which we live. To notice our own thoughts before they are drowned out by everyone else's.

We write to discover what we do not yet know. To sort what has become tangled. To find what is true. To listen for our own metaphors, rhythms, seasons, and voice.

Writing invites us to become trackers. Seers. Sensing bodies with a pen.

We begin with curiosity and follow a thread, a memory, an image, a question, a sensation. We write through the doorways of Story, body, memory, place, and imagination.

Writing can help us metabolize lived experience rather than simply move on from it. It changes our relationship with memory. It gives imagination somewhere to go. It can take what is amorphous, contradictory, beautiful, painful, or not yet understood and give it language and form.

And writing changes our thinking.

The physical and imaginative act of searching for our own words asks something of us that consuming language does not. We have to linger. Choose. Feel. Listen. Make connections. Follow what surprises us. Sometimes we begin a sentence believing one thing and arrive at the period knowing something else.

That is one of the reasons I write.

Writing opens us to what we do not yet know.

We write to remember. We write to belong. We write toward what is more true. We write ourselves into deeper relationship with body, memory, imagination, one another, and the more-than-human world.

And sometimes, through writing, something entirely new becomes possible.

I wrote more about this in Before You Ask AI, Ask the Body.

(W)rites of Passage

We need rites of passage. We cross thresholds throughout our lives—loss and emergence, uncertainty and longing, grief and creativity. Sometimes we know exactly what is changing. Other times we only know that something is no longer as it was.

A creative (W)rite of Passage begins with a simple act. We say yes. We cross the threshold and enter the path of Story. We only have thirteen weeks. We won't have time to write EVERYTHING. But we can ritualize the container and trust that what we generate is also, somehow, re-generating us.

Over thirteen weeks, we enter fairy tales and myths. We write what we are longing to write, and we write what the old stories evoke in us. We braid psyche and memory, mythos and marrow. We hear stories told aloud and allow ourselves to live with them rather than rushing to explain what they mean. We write from inside them. We follow images, memories, questions, sensations, places, characters, and unexpected threads.

We generate a lot of writing.

Along the way, we may grapple with the creative process, with our own material, or with a particular story that is churning. Every (w)rite has its ordeal: the place where we have to stay with the work, wrestle with what we find, or enter more deeply before something can take new form. A story may resist us. An old interpretation may no longer hold. We may encounter a story we inherited, a story we have lived inside, or one we are tired of telling. We may find ourselves writing toward something we cannot yet see clearly.

We work the material. The material works us. We turn it over. Churn it. Question it. Write into it and around it. Take it apart. Sort seeds. Preserve what still has life. Face the dark. Compost what does not. Sometimes an old story finds an entirely new form in our hands. Sometimes words distill into seeds. This is not about fixing ourselves or manufacturing a better story. It is about getting real, truthful, and unmasked, and staying with the creative process long enough for something we could not have planned to emerge.

Story meets body, memory, imagination, place, movement, sensation, and lived experience. We discover bridges and metaphors. A memory can change subtly—or dramatically—when placed inside a fairy tale. The imaginal and embodied begin working together, shaping new words and possibilities.

StoryBody® is the practice of bringing these ways of knowing into relationship through writing.

Some of what we write will remain raw and private. Some will be process writing. Some will surprise us by wanting another form: poetry, memoir, vignette, prose, or something we haven't named yet.

As we move through the process, we shape. Cut. Listen. Revise. Play with our words. A fragment may become a poem. A memory may become a vignette. Process writing may become prose or memoir.

We begin to discover the difference between writing something out and making something from it.

We craft. We curate. We preserve.

Slowly, we gather what we have found into a creative elixir: words, images, poems, stories, fragments, questions, discoveries—what has been retrieved, made, reimagined, or brought into form through the journey.

This may become your written apothecary of Becoming. Becoming has many seasons. You may discover that you are in a fallow phase, or a season of decomposition, ripening, gathering, shedding, or simply not knowing. The writing does not need to tell a story of transformation or arrive neatly on the other side. Part of the creative process will be discovering what you have made—and what you want to call it.

Perhaps it is an Apothecary of Becoming.
A Fallow Book.
A Hag's Womanifesto.
A De-composition Journal.
A Story Cemetery.
A Book of Ripenings.
A Seed Archive.
A Book of Remains.
A Field Guide to the Unknown.

Or something we haven't named yet.

You may name what you have made. And sometimes, what you have made names something in you.

The point is you do not have to arrive blooming. But you can! The deeper journey is to discover where you actually are, what season you are in, gather what the journey has given you, and give it creative form. Naming is part of that process.

As we approach the return of the light at the Winter Solstice, we too prepare to return. Our final gathering is a celebration and creative rite of passage. We bring something from the journey back to the circle. We share. We witness. We are witnessed. We give creative form to the crossing and honor what has been made.

We return with something tangible in our hands. And we return with something stirring in our bellies. Huzzah!

We follow one of the oldest movements of Story: we answer the call, enter what we do not yet know, grapple with what we find there, and return carrying something that did not exist before.

We may leave something
or some story
behind.

We honor it.

And we carry new stories forward.

Gathering Together

Over thirteen weeks, we gather online in a small circle of women. We live with a handful of orally told fairy tales and myths, giving each story time to deepen rather than rushing from one tale to the next. Our gatherings weave together storytelling, writing, conversation, shared reflection, and StoryBody® practices. We may begin with a fairy tale, a poem, an image, a movement, or a question and follow what opens from there.

There are provocative prompts and embodied writing processes. There is ample time to write.

And there is time to share what you are discovering.

You are invited but never pressured to read your writing aloud. Voice is welcomed, encouraged, and given room to become more fully itself. We listen in a spirit of witness and curiosity rather than critique.

Listening is part of the practice.

There is something powerful in hearing another woman read her words. Her story may crack open a story in you and vice versa.

Over time, our circle develops its own language, metaphor, beauty, constellation, field, rhythm, and trust. We re-member one another's threads. We catch words like pomegranate seeds from one another’s lips. We hold questions for one another without needing to answer them.

Belonging does not require sameness. The circle asks us to make room for different lives, different stories, different voices, different creative pathways, different ways of knowing, and different seasons of becoming.

To write in the presence of others and to have our words received without immediately being analyzed, corrected, or improved is its own kind of practice.

We witness. We are witnessed. Listening becomes a balm. We ripen one another in this way.

Between gatherings, you are encouraged to keep a relationship with Story, body, place, and your writing. You may continue a piece we began together, follow a thread that surfaced during the week, spend time outside, or simply notice where the stories begin appearing in your everyday life.

Who Walks This Path?

You want to write and you want a nourishing, generative place in which to do it.

You may be a lifelong writer hungry for new creative territory, more craft, stronger curation, and unexpected sources of inspiration. You may be overflowing with material and looking for a container in which to shape it. You may be returning to writing after years away, or just beginning to discover what your voice can do. You may be a returning participant who knows the power of returning to Story season after season, year after year.

You may have stories arriving faster than you can write them. Poems half-written. Memoir fragments. Images that won't leave you alone. A book quietly tapping at the window. Ancestral memories. Or you may arrive with no project whatsoever, simply wanting to generate, experiment, play, and see what catches fire.

And you may be standing at a threshold.

Midlife. Career change, grief, illness or recovery. Divorce, motherhood, creative emergence. Spiritual reorientation, an empty nest, or simply the strange territory between stories.

There is room here for all manner of women—and all the places we find ourselves inside a story.

Mothers, daughters, sisters, grandmothers. Writers, artists, storytellers, poets. Teachers and healers, scientists and bodyworkers. Makers, visionaries, seekers, skeptics. Outlaws, oddballs, hags, misfits. Crones, Seers, Witches. Soothsayers. Women who have always lived close to Story and women just beginning to hear it calling.

You don't need to arrive knowing exactly what you're going to write. You certainly don't need to arrive needing to be fixed. You don't have to be a seasoned writer. And you can be a seasoned writer.

Bring your curiosity. Bring your questions. Bring your craft. Bring your unruly imagination.

Write feral. Write like a barbarian. Write like a wolf. Write like a river. Write like a storm.

Bring the story you cannot stop telling. Bring a blank page.

Crack open your story and discover what unfurls.

Apply

Crack Open the Story is intentionally small, with space for thirteen women.

If you feel called to join us, I invite you to complete a short application. You don't need to have everything figured out or know exactly what you hope to find. Begin where you are.
I will be in touch as soon as I receive your application.
If you have questions, please feel free to schedule a consultation or simply email your questions to movingthestory@gmail.com

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The universe is made up of stories, not atoms —Muriel Rukeyser

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